Les Ailes’ latest EP, “How to Greet a Praying Mantis”, is a captivating and emotionally resonant journey into the heart of indie music. Crafted with the expertise of UK producer Julie McLarnon, known for her work with Lankum and New Order, and recorded in the serene foothills of the Mourne Mountains in Northern Ireland, this EP stands out as a remarkable achievement in analog recording.
The collection of songs, birthed from a period of intensive shadow work, strikes a delicate balance between introspection and expression. It feels like a profound narrative, weaving together themes of apology, outcry, anger, sadness, and a triumphant emergence of self-love. This emotional depth is beautifully conveyed through Rylie DeGarmo’s unique blend of jazz melodies and folk sincerity, a style honed during her explorative years in the American South.
As the indie music project of singer/songwriter Rylie DeGarmo, Les Ailes has continually evolved. This EP marks a significant milestone in her artistic journey, showcasing the textural rhythm guitar and distinctive voice that have become her hallmark. Her voice, in particular, is a standout element, effortlessly tugging at the heartstrings and invoking a sense of nostalgia.
“How to Greet a Praying Mantis” not only reflects DeGarmo’s growth as an artist since her early days collaborating with her musician father in Seattle and her debut record “Tennessee” (2021) but also hints at the exciting direction her music is taking as she works on her sophomore LP with a live band in Portland, OR. This EP is a testament to Les Ailes’ unique place in the indie music landscape, blending heartfelt storytelling with a sound that is both fresh and deeply rooted in musical tradition.