Benny Clough is an artist who grew up listening to bands like Led Zeppelin, Van Morrison, Pink Floyd, and many more of the classic era which highly influenced Clough’s solo career with his first full length album release “Aria Of Fire.” Clough is now back with an album called “London Fog.”
Throughout this release Clough tips his hat to various genres. He doesn’t really push the envelope as much as embraces a collection of styles and filters his own original songs through that portal. I thought the songwriting hit a lot of check marks. I’m a person who pays attention to lyrics and I have to say Clough is a low-key poet.
“Double Groove” channels an 80s vibe, highlighted by a distinctive hook that adds a nostalgic touch. Clough’s energetic and confident vocals take center stage, complemented by a fleeting, devilish laugh that adds a playful element to the track.
The album takes an unexpected turn with “Dance Until We’re Bones,” emerging as a standout highlight. The track showcases a perfect amalgamation of momentum, dynamic drumming, and psychedelic elements, creating a compelling song with a lot of twists and turns.
In contrast, “Orange Moon” presents a departure from the rock-oriented tracks, featuring Clough’s lower register and a serene, angelic quality. The incorporation of keyboard-played choir adds a reflective ambiance, inviting listeners to explore a realm of emotions.
Returning to the album’s initial vigor, “The Flood” reintroduces high-energy vibes before transitioning into the piano-driven ballad “Broken Arrows.” “Hall Of Illusion” emerges as one of the darker and more cinematic pieces, paving the way for the album’s conclusion. The closing track, “One Last Candle,” serves as a fitting finale, encapsulating the diverse styles showcased throughout the album.
“London Fog” hit my emotional buttons. I thought there was a good amount to appreciate.